5, 6, 7, 8
thegamzatticonspiracy:

Amy Watson
lawrencelambert:

After exam fun continued… This is my friend Valeria Sokolova

aurelie-dupont:

Artists of Eifman Ballet Theatre by Vadim Stein

(via delicate-dancing)

fuckyesballet:

George Balanchine’s Serenade ©The George Balanchine Trust. Photo by Gene Schiavone
ryanishka:

um I would like to see all those “macho” dudes who claim all male ballet dancers are wusses do this…
balletomaneassoluta:

Svetlana Zakharova in Jewels, Diamonds at the Bolshoi

paperballerina:

Something I’ve noticed about dancers is that we’re either so in-tune with our bodies that we notice every slightest sensation that might be out of the norm and consequently think we are dying all of the time or do such unnatural things with our bodies to little immediately applicable consequence that we think we’re invincible and keep doing tha stupid shit until we actually do hurt ourselves like there is no in-between 

justanotherbunhead:

Tiler Peck and Robert Fairchild rehearsing Christopher Wheeldon’s “A Place For Us” Photo: Paul Kolnik
ryanishka:

I’m looking for a specific picture on my phone and I have like 10,000 pictures so maybe expect random uploads….This one is a rejected picture from my audition photo shoot (we preferred the one where my arms are straight) but that is my black swan/intense scary face I think
obsessivedancingdisorder:

Bolshoi Ballet — Emeralds by George Balanchine
balletomaneassoluta:

Evgenia Obraztsova

vivoroni:

I feel like she might be a teeny bit off in this video, but I can see her adjusting to fix and match the music.

And she did an amazing job, I think. Although I don’t dance. No real mishaps, no catastrophes, and this is I think one of those obviously difficult variations, what with those hops en pointe and the jump diagonal thing. And she did not screw up really.

TL;DR: OKSANA SKORIK NO SUCK.

(via tsarina-ballerina)